Kerala Folklore

Unveiling the Rich Tapestry of Tradition, Art, and Culture from God's Own Country.

References

  1. Crawford, A. (2022). "The Creative Collaborator: AI and the Future of Myth-Making." Digital Humanities Quarterly, 16(3).
  2. Finn, E. (2017). What Algorithms Want: Imagination in the Age of Computing. MIT Press.
  3. Buolamwini, J., & Gebru, T. (2018). "Gender Shades: Intersectional Phenotypic and Demographic Evaluation of Face Datasets and Classification." Proceedings of the Conference on Fairness, Accountability, and Transparency. (A key text on AI bias)
  4. Kur, M. (2024). "The Silent Harvest: AI, Traditional Knowledge, and Cultural Appropriation." WIPO Journal of Intellectual Property.
  5. Propp, V. (1968). Morphology of the Folktale. University of Texas Press.
  6. Ariel, Z. (2023). "Regulating the Data Supply Chain: A Proposal for TK Liability Rules." Harvard Journal of Law & Technology.
  7. Bendix, R. (1997). In Search of Authenticity: The Formation of Folklore Studies. University of Wisconsin Press.
  8. Hobsbawm, E., & Ranger, T. (Eds.). (1983). The Invention of Tradition. Cambridge University Press.
  9. Jin, D. Y. (2012). "The Korean Wave and the Dynamics of Cultural Transformation." Media, Culture & Society, 34(5).
  10. Lie, J. (2012). K-Pop: Pop Music, Power, and Politics in East Asia. University of California Press.
  11. Deacon, H. J. (2000). "The Tokoloshe: From Myth to Modern Urban Legend in South Africa." Journal of Folklore Research, 37(1).
  12. Preston, C. (2019). "Traditional Lore and E-commerce: The Tokoloshe in the Digital Marketplace." Western Folklore, 78(1).
  13. WIPO. (2017). Intellectual Property and Traditional Cultural Expressions. WIPO Publication. (Prominent institutional source)
  14. WIPO. (2024). WIPO Treaty on Intellectual Property, Genetic Resources and Traditional Knowledge Adopted. (Key institutional development)
  15. Brown, M. (2003). Who Owns Native Culture? Harvard University Press.
  16. Coombe, R. J. (1998). The Cultural Life of Intellectual Properties. Duke University Press.
  17. Ziff, B., & Rao, P. V. (Eds.). (1997). Borrowed Power: Essays on Cultural Appropriation. Rutgers University Press.
  18. Posey, D. A. (1996). Traditional Resource Rights: International Instruments for Protection and Compensation. IUCN.
  19. WIPO/UNESCO. (1982). Model Provisions for National Laws on the Protection of Expressions of Folklore Against Illicit Exploitation. (Historical legal framework)
  20. Niezen, R. (2003). The Origins of Indigenism. University of California Press.
  21. Tinker, G. E. (2004). Spirit and Resistance: Political Theology and American Indian Liberation. Fortress Press.
  22. Seaver, N. (2017). "Algorithms as Culture: Some Problems with Digital Folklore." Folklore: The E-Journal of the Folklore Studies Association, 1(1).
  23. Shifman, L. (2014). Memes in Digital Culture. MIT Press.
  24. Chess, S., & Newsom, E. (2014). "The Slender Man Mythos: Contemporary Folklore and the Digital Age." Media and Communication, 2(2).
  25. Kuhn, K. (2023). "Liminal Spaces and Noclipping: The Backrooms as Collaborative Digital Mythology." Internet Folklore Review, 2(1).
  26. Hymes, D. (1981). "In Vain I Tried to Tell You": Essays in Native American Ethnopoetics. University of Pennsylvania Press.
  27. Fairley, J. (1989). "Analyzing Meaning in Musical Texts: Nueva Canción in Chile." Popular Music, 8(2).
  28. Konzack, L. (2015). "Video Games and Folklore: The Digital Adaptation of Tradition." Scandinavian Journal of Folklore Research, 36(1).
  29. Bettelheim, B. (1976). The Uses of Enchantment: The Meaning and Importance of Fairy Tales. Vintage.
  30. Dundes, A. (1980). Interpreting Folklore. Indiana University Press.